An IPO Set To Music

If you were choosing the soundtrack for IPO, music from a disaster
movie might be most appropriate.

It’s not that doesn’t have a great idea. Allowing online
shoppers to custom-create their own CDs, which are shipped right to
their homes or even downloaded, clearly is an ideal marriage of Internet
and digital recording technologies.

The Reston, Va.-based company filed an IPO last Friday, hoping to raise
$30 million by selling public stock on the Nasdaq exchange under the
symbol “MMKR.”

Unfortunately for and several of its existing
competitors, the catalog
of selections they now offer is severely restricted to oldies,
alternative music and other niche and fringe categories.

That’s because major music companies such as EMI, Warner and Sony own
the copyrights to
virtually all of today’s major recording artists, as well as the vast
majority of older performers whose catalogs still do big business.

And there’s a better chance that The Beatles will reform with John
Lennon before the majors allow upstart Web companies a penny of their
lucrative business — not if they can do the same thing themselves. Which
eventually they will.

This reduces, formed in 1996, to cutting deals with
“independent” (read: low-revenue) labels. Granted, there are some
well-known names in’s stable, including The Beach Boys,
Jerry Lee Lewis, Little Richard and The Kinks. Great news if this were
1965, but none of those performers are exactly burning up the charts
these days.

Here’s something that will put this investment opportunity, as it now
stands, in perspective: Seventeen of the 20 most-ordered tracks by members are
songs by Miles Davis. And while the jazz legend is a seminal figure in
music history, try building a business around him today.’s revenues for 1998 were $74,028 (that’s not a typo;
we’re talking 74 thousand) against a net loss of $4.7 million. Go Miles!

Company executives, whose ranks include music industry and high-tech
veterans, are not naive. They know that’s only real
chance is to use the $30 million they hope to generate from an IPO to
buy distribution rights for big sellers such as Mariah Carey, Jewel and
the Dave Matthews Band.

But given the music industry’s short-sightedness, tight-fistedness and
knee-jerk response to anything it remotely perceives as a threat,’s gamble seems like a big risk for investors.

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