NEW YORK — U.S. Congressman Rick Boucher, moving to strengthen “fair use”
provisions under federal copyright law, said he is introducing a bill that
would essentially restrict the record industry from selling copy-protected
CDs.
He also said he would introduce a bill within the week that would update the
U.S. Copyright Office’s Copyright Arbitration Royalty Panel (CARP), which he has criticized as being mired in outdated laws that tilt against Webcasters regarding royalties on
streaming music.
During a keynote address to the seventh annual Plug.IN digital music conference
sponsored by Internet research firm Jupiter Media Metrix, the Virginia
Democrat urged the record industry to reconsider introducing the
copy-protected CDs.
“I’m just a little perplexed to understand the rationale for this. There
will be a very heavy cost that the industry will pay when copy-protected CDs
are introduced,” Boucher said.
While conceding later that copy-protected CDs aren’t against existing law,
he said their introduction wouldn’t even impact the music piracy the music industry is
trying to stop. Instead, the move will “anger millions of their
best-customers who have become accustomed of making copies [of CDs] for
their own use,” which is allowed under “fair use” provisions of copyright law.
He said he would introduce legislation that would essentially codify
“fair use” provisions of copyright law (that have been implied but not necessarily guaranteed). He also wants to ease up some of the more copy-restrictive provisions of the 1998 Digital Milennium Copyright Act, whose pay-per-use provisions on copies he has criticized as a threat not only to “fair use,” but to innovation, idea exchange, even First Amendment guarantees on free speech.
Originally introduced in August of 2001 as the Music Online Competition Act,
the bill aims to make seven changes to copyright law that Boucher, who also sits on the House Commerce and Judiciary committees, said help advance the legal distribution of music online.
The provisions in the bill, which are expected to be up for debate by September at the latest, include the following:
says one copy is permitted but must be deleted within six months. The
changes would allow Webcasters or broadcasters, for example, to make a copy
for each format in which music is delivered, as well as for different bit rates
for the speed of downloads. In all, about 60-80 copies would be necessary to
accommodate Internet technologies, he said.
music stores allow people to listen to tracks before buying.
“Our bill allows retailers to use a central server to serve multiple retail
establishments and applies the exemption to online retail establishments
(such as Amazon.com or CDNow) that offer music samples of 30 or 60 seconds
to promote sales of the associated sound recordings,” Boucher said.
copies are backed up in case a computer hard-drive has to be rebuilt. Under
existing law, users can’t back up music they download with, say, RealJukebox
software, although they can back up the software itself.
harbor” provisions. This would let a user or potential licensee of music pay a kind of “royalty deposit” with the federal copyright office while the sometimes lengthy search for a copyright owner or publisher is underway.
labels in the music industry.
Boucher said the idea is if a record label licenses a wholly-owned
subsidiary it created to deliver online music, it needs to give a comparable
license to a competitor. “I think it’s essential that we engender a positive
competition in the delivery of music on the Internet and avoid a major
duopoloy” among major record labels that together control about 80 percent
of existing music libraries.
Boucher said current law restricts the number of tracks that Webcasters or
digital satellite radio broadcasters can play within a given three-hour period.
The theory is to restrict the recording and pirating of digital works. But
the law does not apply to terrestrial broadcasters. “It’s what you might
call an asynchronous law,” he said of current DMCA provisions. “My solution
is let’s not apply it to anybody.”
to be shared among the recording companies and performing artists. “Our bill
requires that these payments instead be made directly to the artists or
to a collective organization representing the artists.”
Boucher later said he expected recording industry to lobby heavily against the provision proposing non-discrimination of licensing among music labels. Other
provisions in the bill such as buffered copies, back-up rights and
performance royalties with respect to downloads and streams, have already
been endorsed by the U.S. Copyright office and are expected to meet with
less resistance.
“The music industry needs to take off the brakes,” on copy-prohibiting
tecnnologies, Boucher said. “The vast majority of the Internet consuming
public is honest” and would be willing to pay for online music, especially
if “the music industry would agree to put its entire inventory online.”
Boucher also said he is introducing legislation within a week that would
update what he called outdated ratemaking rules regarding CARP, the royalty
dispute body. “We need to scrap the CARP and adopt a new
standard,” Boucher said, adding that one proposal is to confer to federal
district judges some of CARP’s ratemaking jurisdiction.
This publication’s parent company, INT Media Group, recently purchased the
remaining assets of Jupiter, including its research and events business.
However, this event was not included in the purchase.
